Ethan Lustig, Ph.D.

Ethan Lustig, Ph.D.

Forensic Musicologist
Los Angeles, CA 90028
Mobile: 585-210-0688
Office: 585-210-0688
Introduction

Dr. Ethan Lustig specializes in systematically comparing and analyzing musical passages, holding three degrees in music theory: a Ph.D. and M.A. from the Eastman School of Music, University of Rochester; and a B.A. from the University of British Columbia. Dr. Lustig's research has been published in academic peer-reviewed journals, where he used statistical approaches to vocal melody, rhythm, and groove in popular music. He has presented his research internationally and has been recognized by the Social Sciences and Humanities Research Council, receiving their prestigious Fellowship for his research contributions. Dr. Lustig was the editor for the music theory encyclopedia, The Architecture of Music and has provided forensic musicology and copyright consultation for numerous clients including law firms (see list below), music technology startup Avec Audio, and TV production company EtherWorks Media. A seasoned educator, Dr. Lustig has taught music theory, production, composition, audio engineering, and ear training to hundreds of students. Dr. Lustig has provided his music-analytical opinion on TV networks including ABC and CBS. Dr. Lustig also has extensive experience as a professional composer and audio engineer, with his music featured by companies such as Adobe.

Clients/cases include:

• Johnson and Johnson, LLP Law Firm (Beverly Hills, CA):
In 2020, I was the musicology expert for plaintiffs in the Bad Bunny “Safaera” case, which settled out of court (AOM Music, Inc. v. Benito Antonio Martínez Ocasio et al., 2:21-cv-07691, US District Court, Central District of California). (Client: Neville L. Johnson)
• Billionaire Burke (NYC):
In 2021, I assessed the similarity of two hip-hop songs. (Client: Billionaire Burke)
• Heninger Garrison Davis, LLC Law Firm (Birmingham, AL):
In 2022, I provided my in-depth expert opinion on music used in a Fortune Top 5 corporation's TV commercial. (Client: W. Lewis Garrison, Jr.)
• McLaughlin & Stern, LLP Law Firm (NYC):
In 2023, I was retained to produce an opinion letter on alleged infringement in rap music. (Client: Chester R. Ostrowski)

I offer a unique set of assets:

• My educational background in Music Theory (B.A., M.A., and Ph.D.) gives me a systematic way to compare melodies, rhythms, and chords (I have published on the subject in academic journals: see tinyurl.com/EthanLustigPublications).
• I have over a decade of experience teaching & communicating music theory concepts to students of all ages, including many who lack formal training and can't read music. This lets me communicate advanced concepts clearly to laypersons.
• I'm not just an academic: I also work in the music industry as a producer, songwriter, and audio engineer for film & TV.

My forensic musicology services include:

• An expert opinion letter or "preliminary assessment" using musicological analysis to confirm or refute whether two pieces of music are substantially similar (potential for copyright infringement).
• A detailed musicological report using in-depth, systematic musicological expert analysis comparing the works in question for similarities and differences.
• Comparing temp tracks or scores in film, TV, and advertising to the new version.
• Consulting and appearing in trials or depositions as an expert witness.
• An intensive, systematic "prior art" search of my database of thousands of pieces (classical, pop, rock, and more) to find out the prevalence of a given musical pattern in the existing repertoire.


Areas of Expertise
  • Audio
  • Copyrights
  • Entertainment & Media
  • Intellectual Property
  • Sound Engineering

Expert Background
Q: Please list your professional accreditations, degrees, licenses, and certificates granted:
A: Ph.D. (Music Theory), Eastman School of Music, University of Rochester
M.A. (Music Theory), Eastman School of Music, University of Rochester
B.A. (Music Theory, Honors), University of British Columbia
Q: Please list any teaching or speaking experience you have had, including subject matter:
A: Provided my music-analytical opinion on TV networks including ABC and CBS.

Private tutor and university lecturer for hundreds of music students of all ages. Music production, composition, mixing & mastering, music theory, ear training, sight-singing, piano.

Won multiple tournaments and championships as a debater, attending the Nationals, Provincials, & the World championship qualifier.
Q: For what area(s) of expertise have you been retained as an expert?
A: Forensic musicology
Q: What services do you offer? (E.g.: consulting, testing, reports, site inspections etc.)
A: My forensic musicology services include:

• An expert opinion letter or "preliminary assessment" using musicological analysis to confirm or refute whether two pieces of music are substantially similar (potential for copyright infringement).
• A detailed musicological report using in-depth, systematic musicological expert analysis comparing the works in question for similarities and differences.
• Comparing temp tracks or scores in film, TV, and advertising to the new version.
• Consulting and appearing in trials or depositions as an expert witness.
• An intensive, systematic "prior art" search of my database of thousands of pieces (classical, pop, rock, and more) to find out the prevalence of a given musical pattern in the existing repertoire.


References

Available Upon Request